Houston, We Have A Problem – August 28…: A Glimpse into Elvis Presley’s Unreleased Soundboard Recording

In the annals of music history, certain performances become legendary, not always for the right reasons. One such event was Elvis Presley’s matinee show at the Summit in Houston, TX, on August 28, 1976. This elusive concert, long shrouded in controversy, has now resurfaced through an unprecedented discovery by Audionics.

Elvis Presley CD - Houston, We Have A Problem - YouTube

Unraveling the Myth: The Notorious Houston Show

Decades have passed since Elvis’ ill-fated performance, and the tales of that afternoon have echoed throughout history. Bob Claypool’s review has stood as a testament to the concert’s tumultuous nature, solidifying its reputation as a disaster. In fact, some have gone so far as to label it as Elvis’ worst concert ever. The show’s infamy has fueled countless debates among devoted fans, giving birth to books and discussions that span generations.

The Missing Piece: An Unheard Perspective

Curiously, despite the extensive literature and fervent discussions, an essential piece of the puzzle remained missing—a recording. No official or audience recording had ever surfaced, leaving the narrative largely dependent on subjective reviews. The absence of a definitive audio recording left room for speculation and ambiguity.

A Historic Revelation: Audionics Breaks the Silence

Breaking the silence, Audionics has embarked on a journey to rewrite history by uncovering and acquiring the original soundboard tape of the momentous 1976 Houston concert. This discovery marks a pivotal milestone, as it allows fans, for the first time, to assess the events of that day firsthand.

Empowering Fans: A Chance for New Perspectives

Elvis fans worldwide can now become part of a new chapter in the artist’s legacy. Audionics’ dedication to unearthing unreleased material has borne fruit, as this recording unveils a previously concealed dimension of the performance. By offering this recording, Audionics invites fans to form their own conclusions about the show, empowered by an objective, audio-based assessment.

A Remarkable Encounter: Unveiling the Soundboard Recording

The soundboard recording itself is a treasure trove of auditory excellence. With exceptional audio quality, the recording captures an 80-minute journey through that fateful afternoon. The audience’s energetic engagement lends a vibrant atmosphere to the show, and a particular highlight is the revival of Jerry Scheff’s bass solo in ‘Polk Salad Annie,’ a long-absent element that bridges the past to the present.

A Nuanced Perspective: Reevaluating the Show’s Impact

Audionics’ release of this long-lost recording is poised to revolutionize how fans perceive the historic Houston concert. By adding a layer of auditory authenticity to the discourse, this release encourages a more comprehensive and nuanced appraisal of the event. The revelations held within the recording have the potential to reshape the narrative surrounding the performance.

A Collectible Gem: ‘Houston, We Have A Problem…’ CD

The release of the ‘Houston, We Have A Problem…’ CD offers fans a tangible piece of history. Featuring a meticulously curated tracklist, the CD captures the essence of that August afternoon. From iconic hits to special moments, each track contributes to painting a complete picture of the event, bridging the gap between past and present.

A Journey Beyond: Exploring the Tracklist

  1. C. C. Rider (incomplete)
  2. I Got A Woman / Amen
  3. Love Me
  4. If You Love Me (Let Me Know)
  5. You Gave Me A Mountain
  6. All Shook Up
  7. (Let Me Be Your) Teddy Bear / Don’t Be Cruel
  8. And I Love You So (with false start)
  9. Jailhouse Rock
  10. Fever
  11. America The Beautiful (with reprise)
  12. Polk Salad Annie
  13. Introductions by Elvis of Singers, Musicians
  14. Early Morning Rain (John Wilkinson)
  15. What’d I Say (James Burton)
  16. Johnny B. Goode (James Burton)
  17. Drum Solo (Ronnie Tutt)
  18. Bass Solo (Blues theme, Jerry Scheff)
  19. Bass Solo (Battle Of New Orleans theme, Jerry Scheff)
  20. Piano Solo (Tony Brown)
  21. Electric Piano & Clavinet Solo (David Briggs)
  22. School Day (Joe Guercio Orchestra)
  23. Hurt
  24. Funny How Time Slips Away
  25. Can’t Help Falling In Love
  26. Closing Vamp / Announcements

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Embrace the Legacy: Own a Piece of History

In essence, the release of the ‘Houston, We Have A Problem…’ CD encapsulates the spirit of a transformative era. With unpublished photos and liner notes that contextualize the concert, this deluxe digipack offers a sensory journey through time, connecting fans to the enigma of that afternoon.

Conclusion: A New Dawn for Elvis Fans

Audionics’ dedication to unearthing the truth behind the infamous Houston show signifies a monumental step forward for the realm of music history. By offering an objective, audio-based perspective, fans can finally form their own conclusions about Elvis Presley’s controversial matinee performance. This rediscovery redefines the narrative, allowing the past to resonate with the present in unprecedented ways.