Shooter Jennings praises Luke Bryan's apology on outlaw country - Los  Angeles Times

About the Song

By the time Waylon Jennings released Black on Black in 1982, he was already a towering figure in the Outlaw Country movement — a man whose gravel-lined voice and no-frills songwriting cut through the polished conventions of Nashville. But while many of his most famous tracks bristle with rebellion, “Shine” stands out as something different: a song of quiet resilience, spiritual undercurrent, and hope lit like a flicker at the edge of a long road.

The song opens with a slow, determined rhythm — not flashy, not hurried, just steady. That’s the heartbeat of “Shine.” It’s not a cry or a protest; it’s a reminder. Keep going. Keep believing. Let the light in. Jennings sings with conviction, but never with strain. His voice is worn — seasoned by the road, the years, the battles — and that’s what gives this song its power. He’s not preaching. He’s telling you what he’s learned the hard way.

Lyrically, “Shine” walks the line between the earthly and the spiritual. There’s a touch of gospel in its message, a flicker of redemption running beneath the surface. Whether you hear it as a song about faith, inner strength, or simply surviving another day, it resonates. Because in typical Waylon fashion, the song doesn’t pretend life is easy — it just reminds you that giving up isn’t the answer.

Black on Black as a whole was a darker, more introspective album in Jennings’ discography — a reflection of a man who had seen his share of shadows. But “Shine” is the light peeking through. It reminds us that even the most road-worn souls can still believe in something better ahead.

Through this song, Waylon Jennings doesn’t offer perfect answers. What he offers is far more honest: a voice that says, “I’ve been there too… but I kept going.” And sometimes, that’s all you need to hear.

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